Clapshot, Haggis and Whisky Sauce

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haggis

Clapshot, Haggis and Whisky Sauce

Haggis with a touch of whisky – what could be better? Haggis used to be a bit of a faff to cook, but it’s much easier now with aluminium foil. Just wrap it up neatly and bake in the oven — the haggis cooks in its own juices. Simple!

Haggis is a kind of savoury pudding containing sheep’s pluck (heart, liver and lungs — see offal); minced with onion, oatmeal, suet, spices, and salt, mixed with stock, and traditionally encased in the animal’s stomach and simmered for approximately three hours. Most modern commercial haggis is prepared in a sausage casing rather than an actual stomach.

As the 2001 English edition of the Larousse Gastronomique puts it, “Although its description is not immediately appealing, haggis has an excellent nutty texture and delicious savoury flavour”.

The haggis is a traditional Scottish dish, considered the national dish of Scotland as a result of Robert Burns’ poem Address to a Haggis of 1787. (See the bottom of the page.) Haggis is traditionally served with “neeps and tatties” (Scots: rutabaga and potato), boiled and mashed separately and a dram (a glass of Scotch whisky), especially as the main course of a Burns supper. However it is also often eaten with other accompaniments.

The recipe

500g haggis
500g floury potatoes
500g turnips
50g butter
75ml double cream
sea salt
freshly ground white pepper
2 tbsp chopped chives
500ml double cream
2 tsp grain mustard
1 tbsp Dijon mustard
2 tsp whisky
juice of1/2 lemon

Preheat the oven to 180°C/G-as 4. Wrap the haggis tightly in aluminium foil and bake for 45 minutes. Peel the potatoes and turnips, and cut them into equal-sized pieces. Cook in separate pans of boiling, salted water until tender. Mash them together and add the butter, 75ml of cream and seasoning. Stir in half the chopped chives and keep warm while you make the sauce.

Gently heat the 500ml of cream in a saucepan and add the mustards and the whisky. Tum the heat up high to cook out the alcohol. Season to taste and add the remaining chives. Just before serving, whisk in the lemon juice.

To serve: Put a good spoonful of mash (clapshot) on a warm plate. Top with some haggis and drizzle over the warm whisky sauce.

And here is your added bonus. This is the original Address to a haggis written by Burns in 1787. But the twist is in the English translation. At your next Burns supper, why not have two speakers doing the address – one in the traditional Scottish, followed verse by verse by a pure English version for all the Sassenachs present.

The Address to the Haggis – with English translation

Fair fa’ your honest, sonsie face,
Great chieftain o’ the puddin’-race!
Aboon them a’ ye tak yer place,
Painch, tripe, or thairm:
Weel are ye wordy o’ a grace
As lang’s my airm.

Nice seeing your honest, chubby face, Great chieftain of the sausage race! Above them all you take your place, Belly, tripe, or links: Well are you worthy of a grace As long as my arm.

The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin wad help to mend a mill
In time o need,
While thro your pores the dews distil
Like amber bead

The groaning platter there you fill, Your buttocks like a distant hill, Your pin would help to mend a mill In time of need, While through your pores the dews distill Like amber bead.

His knife see rustic Labour dicht,
An cut you up wi ready slicht,
Trenching your gushing entrails bricht,
Like onie ditch;
And then, Oh what a glorious sicht,
Warm-reekin, rich!

His knife see rustic Labour sharpen, And cut you up with practiced skill, Trenching your gushing entrails bright, Like any ditch; And then, Oh what a glorious sight, Warm-steaming, rich!

Then, horn for horn, they stretch an strive:
Deil tak the hindmaist, on they drive,
Till a’ their weel-swall’d kytes belyve
Are bent like drums;
Then auld Guidman, maist like to rive,
‘Bethankit’ hums.

Then, spoon for spoon, they stretch and strive: Devil take the hindmost, on they drive, ‘Til all their well-swollen bellies soon Are tight as drums; Then old Master, most likely to burst, ‘Thanks Be’ hums.

Is there that ower his French ragout,
Or olio that wad staw a sow,
Or fricassee wad mak her spew
Wi perfect scunner,
Looks down wi’ sneering, scornfu view
On sic a dinner?

Is there one, that over his French ragout, Or olio that would give pause to a sow, Or fricassee that would make her spew With perfect loathing, Looks down with sneering, scornful view On such a dinner?

Poor devil! see him ower his trash,
As feckless as a wither’d rash,
His spindle shank a guid whip-lash,
His nieve a nit:
Thro bloody flood or field to dash,
Oh how unfit!

Poor devil! See him over his trash, As feeble as a withered rush, His spindly leg a good whip-lash, His fist a nit: Through bloody flood or field to dash,Oh how unfit!

But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his wallie nieve a blade,
He’ll make it whissle;
An legs an arms, an heads will sned,
Like taps o thrissle.

But mark the Rustic, haggis-fed, The trembling earth resounds his tread,Clap in his sturdy fist a blade, He’ll make it whistle; And legs and arms, and heads will cut, Like tops of thistle.

Ye Pow’rs, wha mak mankind your care,
And dish them out their bill o fare,
Auld Scotland wants nae skinking ware
That jaups in luggies:
But, if Ye wish her gratefu prayer,
Gie her a Haggis!

You Pow’rs, that make mankind your care,And dish them out their bill of fare, Old Scotland wants no watery ware That slops in bowls: But, if You wish her grateful prayer, Give her a Haggis!

This work published before January 1, 1923 is in the public domain worldwide because the author died at least 100 years ago.


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New whisky simply liquid gold

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New whisky simply liquid gold

TUCKED away in a suburban Adelaide warehouse is a whisky distillery that is winning international accolades.

Whisky doyen Jim Murray has listed one of its drops in the 2012 edition of The Whisky Bible as “one of the most astonishing whiskies it has been my honour to taste. Frankly I am on my knees”.

This is high praise for Southern Coast Distillers in Welland. The distiller began selling its whisky only this year, online and at the Rob Roy Hotel and East End Cellars in the city.

“Our first customer was an Adelaide plastic surgeon who bought a bottle at a charity auction and paid $500 for it in February this year,” co-owner Ian Schmidt said.

The surgeon has been back to buy more, and the single malt batch 002, lauded as liquid gold by Mr Murray, has sold out at $110 a pop.

The company established a website this year and is receiving increasing numbers of purchases online. Most hits are from Australia, followed by the US and Ireland. It also has won medals through the Malt Whisky Society of Australia.

Southern Coast is one of about a dozen distillers in Australia. It all began when Mr Schmidt met Tony Fitzgerald and Victor Orlow through their children’s Rose Park school and they discovered a shared passion for whisky. After gradually improving their knowledge about making whisky, they decided to apply for a licence in 2004.

Their first still was dubbed “Monty”, after The Simpsons character Monty Burns. The next was “Homer”, named “because he’s a fair bit bigger”, and they have just bottled batch 004, producing about 150 bottles from each of the 10 to 12 casks produced each year.

“A lot of Scottish distilleries go out of their way to be consistent in their product,” Mr Schmidt said. “We’re aiming for consistent quality rather than consistent product . . . We want each one to be different. It’s whisky for whisky tragics.”

Each is made from Australian malt sourced from Bintani in Melbourne. The process involves a small portion being smoked with a peat mixture that lends a hint of eucalypt, or “bushfire”.

The distilling occurs in Welland. It is stored in oak barrels in the Adelaide Hills and bottled a minimum of two years later.

Batch 002 could have been a disaster; one barrel lost a hoop when they were being moved.

“It forced us to double barrel the whisky. That’s the one that got the very good accolades. We will be doing more double barrels,” Mr Schmidt said.

Italian Scotch – I don’t think so…

Nearly 200 bottles of bogus Scotch whisky, which the label states were made in Italy, are being tested to see if they contain harmful ingredients.
A total of 180 bottles of “Granton Scotch Whisky” were seized by Medway Trading Standards and customs officers.

The Scotch Whisky Act 1988 makes it unlawful to apply the term Scotch whisky to products that have not been produced in Scotland.

People in the Medway towns have been warned not to drink any of the product. Councillor Mike O’Brien said: “It is essential in this case that we get the alert out to local residents over this product to ensure that no one suffers any adverse effects over the festive period from consuming this bogus product.” Medway Council said trading standards officers were working with staff at the Scotch Whisky Association and had sent samples for analysis to discover if the whisky contained any harmful ingredients.

The authority said it was unable to identify where the whisky was seized as its investigation was on-going and “the wholesaler may face prosecution”.


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Whisky Expert Heather Greene: Women Should Drink More Scotch

Whisky Expert Heather Greene: Women Should Drink More Scotch

Who says women don’t like whisky? Certainly not Heather Greene, a petite whisky expert who travels the world extolling the virtues of single malt Scotch for Glenfiddich. Greene, who stumbled into her career in liquor while traveling through Scotland as a musician, recently launched a “Women & Whisky” campaign, a series of events and tastings designed to get discerning ladies to spread the good word about the brown stuff. Her next event, the so-called “Single Malt Speakeasy,” is tomorrow, November 16, at 8 p.m. 1534 bar in Soho. (RSVP here if you’d like to attend.) We sat down with Greene to talk about why women should love whisky and her favourite places to drink it in the city.

Can we talk a little bit about women and whisky? Women sort of get the short end of the whisky stick; it’s not really marketed towards us. Why should women drink whisky? Well actually it wasn’t traditionally marketed to men. It was something that women were very comfortable drinking in the ’30s, ’40s, and ’50s, and around the world there are women who drink whisky. Bourbon drinkers are women; women don’t have any problem drinking bourbon in the south. I mean, mint juleps are made with bourbon. If you look at classic cocktails like old-fashioneds and Manhattans, those are whisky-based cocktails. So this sort of question of how and why the single malt scotch becomes a male thing, I don’t really know. It was most likely advertising in the ’60s and ’70s that implicated whisky with power and that’s why men ended up drinking more of it.

So what’s the Women & Whisky campaign all about? I’m just trying to make women comfortable, show them an arena in the food and beverage world that they can explore and really enjoy. Women tend to have an incredible, wonderful sense of nosing and tasting and they traditionally, in many studies, outscore men in their ability to identify aroma and flavour. So, that said, whisky has an incredible amount of aroma properties, more so than any other liquid beverage or spirit, more so than wine, more so than beer, more so than champagne. So it’s something that women can actually really enjoy and get into. I just think that women should drink it and enjoy it because why not—they enjoy wine, they enjoy food, they enjoy so many other things and there’s no reason that they should be shut out of this really great arena.

For women who might not know a lot about whisky what sort of baby steps would you recommend? One thing I would tell them to do is buy a bottle with some friends and split it. I would recommend a Glenfiddich 12, which is a really classic Scottish bottle, a very nice, classic whisky. Get a bottle of 12 with your friends. Make a classic cocktail, have it on ice and have it straight or mixed with bitters or diluted with a little bit of water, and use that to actually experience it in different ways. That’s a fun at-home after work on Friday kind of thing. If you’re at a bar, I mean the same thing, that whisky is in every single bar. If you’re with a friend or two I would order two whisky’s from the same region and just ask the bartender to split it. There are lots of ways you can experiment.

Where do you go in New York to drink whisky? If you’re downtown I think the Highlands and Mary Queen of Scots, great whisky bars. The Rye House. 1534, which is holding the event on Wednesday, if you go there and ask Justin the bartender to make you a whisky cocktail and tell him you’re new to it, he’ll totally make you what you want. And he’s amazing. If you want super posh and high-end, you could do the bar at Daniel on the Upper East Side with Xavier Herit. He just wrote a book about cocktailing and he makes an incredible cocktail so if you want to some kind of really special cocktail night go sit at his bar and ask him for a whisky cocktail. There are so many. For exploration there’s the Brandy Library in Tribeca and Ward III down in Tribeca, which have huge selections. I’d say those are my favourite ones.

What kind of feedback have you gotten from women? It’s been amazing. I’ve done a lot of projects for 5 years. I’ve been traveling and stuff and this whole Women and Whisky thing, not just from women but from guys who say their events are more fun. I did just did an event at Whisky House and it was called Why Your Wife Should Drink Scotch and we talked about how aroma properties are an aphrodisiac, like there are studies that show that spice and nuttiness and pumpkin increased blood flow to a man’s…region…shall we say.

The women have been really receptive like, “oh thank you so much” and “gosh now I know a little bit about it” and “thank you for spending the time”. They have less hang-ups than men do. Women come to the table with no preconceived notions of how whisky is “supposed” to be enjoyed, and they just enjoy it how they want to.
Contact the author of this article or email [email protected] with further questions, comments or tips.

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Antarctic expeditions revisited through reproduced whisky

Antarctic expeditions revisited through reproduced whisky

BY SUSAN R. EATON, FOR POSTMEDIA NEWS OCTOBER 23, 2011

CALGARY — Sir Ernest Shackleton probably hadn’t planned on leaving three crates of Scotch whisky in Antarctica, and almost certainly never imagined Calgarians drinking it, one hundred years later.

But thanks to the 2007 discovery of the 19th century liquor under the floor boards of Shackleton’s abandoned Antarctic hut, whisky aficionados in Calgary recently raised a toast to the polar explorer.

They weren’t tasting the original golden malt, however, but a precise recreation — Mackinlay’s Rare Old Highland Malt Whisky — as part of a whisky tasting at Calgary’s Kensington Wine Market.

Frozen in time — in minus 30 degrees Celsius temperatures — since Shackleton’s British Antarctic (Nimrod) Expedition of 1907-1909, the whisky’s 47.3 per cent alcohol content ensured that it didn’t freeze.

Unearthed a century later by the New Zealand Antarctic Heritage Trust, the bottles were in pristine condition, making the recreation of the malt possible.
Shackleton’s whisky represents a time capsule, a window into the smoky or peaty flavour of a century before. Back then, distillers burned peat to dry the barley. Coal gradually replaced peat, and, today, hot air is used to dry the barley, producing a cleaner tasting whisky.

To recreate the lost formula from the defunct Glen Mhor Distillery, Glasgow-based Whyte and Mackay Limited, owners of the Mackinlay brand, used modern sensory, radio carbon and chemical forensic science worthy of a CSI television episode.

Combining legacy whisky produced by the distillery — it closed during the early 1980s — with the new malt, the brewers assured the authenticity of the Mackinlay’s Rare Old Highland Malt Whisky.

Only 50,000 bottles were produced in the spring of 2011, making it a hot commodity for whisky collectors and Shackleton history buffs.

According to Andrew Ferguson, Kensington Wine Market’s co-manager and “Scotch Guy,” his store received all of Alberta’s allocation of Mackinlay’s Rare Old Highland Malt Whisky. Ferguson secured 300 bottles of this light honey-coloured nectar — there are still bottles available for purchase for $195.

Whyte and Mackay is donating $8 from every bottle, to the New Zealand Antarctic Heritage Trust to support its ongoing restoration efforts in Antarctica.

Reviewed by Malt Advocate Magazine, Mackinlay’s Rare Old Highland Malt Whisky scored a respectable 92 points. “Anything in the 90s is considered a very good score,” explained Ferguson.

“I had a misconception of what whisky from that era would have tasted like,” said Ferguson. “I was surprised by how creamy, rich and fruity it was. And, there’s a smoky element in the whisky that you don’t get in today’s whiskies from the highlands.”

The recreation began in 2010, when the New Zealand Antarctic Heritage Trust removed a case of Shackleton’s whisky from the Antarctic permafrost, transporting it to the Canterbury Museum in Christchurch for delicate thawing.

Once the whisky was identified as the historic Mackinlay brand, Whyte and Mackay swung into action. Dr. Vijay Mallya, Whyte and Mackay’s chairman, sent his corporate jet to Christchurch to pick up three bottles of Shackleton’s original malt, whisking the precious cargo back to Scotland — in a specially built case handcuffed to Richard Paterson, Whyte and MacKay’s master blender.

“These bottles are priceless artifacts, and we had to keep them under tight security,” explained David Robertson, Whyte and Mackay’s director of rare whiskies.
One of the privileged few to sample the 100-year-old Scotch whisky, Robertson described it as “absolutely incredible.”

“I was allowed to ‘nose’ it, and got one tiny drop to taste,” he said. “Without a shadow of a doubt, tasting the whisky from the permafrost has been one of the highlights of my 30-year career.”

“Science can only tell us so much,” said Robertson of the forensic recreation process. “But what we really needed was Richard Paterson’s ‘nose’ to get us as close to the original Scotch whisky as possible.” Paterson’s olfactory asset, his “nose,” is insured for $2.4-million Cdn.

At the Calgary tasting, whisky aficionados sampled Shackleton’s malt in commemorative glasses etched with the forlorn image of Shackleton’s ship, the Endurance, trapped in ice during his second voyage to the Antarctic, the Imperial Trans-Antarctic Expedition of 1914-1917.

The Endurance was crushed and sank, precipitating the greatest survival story of the 20th century. Not a man was lost during the two-year rescue operation, cementing Shackleton’s reputation as a great leader.

“There’s a sense of history in the art of making a fine Scotch whisky,” said Dave Yadav, a Shackleton history buff and self-professed whisky neophyte. “And, I can’t think of another whisky that has this history.”

Enthusiastic attendees at the tasting brought their maps, books and Shackleton memorabilia, including a riveting audio tape of a lecture that Shackleton delivered on the Nimrod Expedition where he narrowly escaped death, falling 160 kilometres short of reaching his objective, the South Pole.

Yadav likened creating a fine whisky to mounting an expedition: “There’s so much preparation and so many moving parts to arrive at the destination.”

“The font used on the label was like nothing I’ve ever seen before,” he added. “The whisky represented a time gone by that we were able to enjoy.”

Yadav was right — the fonts used in the customized labels for Shackleton’s British Antarctic Expedition don’t exist today. Whyte and Mackay commissioned a specialist who painstakingly recreated the labels, drawing them by hand. The distiller’s attention to historical detail extended to the bottle, the rustic wooden crates, the paper wrap and packing materials.

“Obviously, the most challenging thing was to recreate the liquid,” explained Robertson. “But, we also wanted to recreate the glass in the bottles.”

“Each bottle is unique,” he added, describing how the distiller relaxed quality control in its factory, introducing bubbles characteristic of turn-of-the-century bottles.

Calgary Herald
© Copyright (c) The Calgary Herald
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Whisky investment 'as good as wine', says FT

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Dalmore64-Stag Whisky

Whisky investment ‘as good as wine’, says FT

• Monday 17 October 2011

Bottles of whisky from long-demolished distilleries can be as solid as wine as an investment, the Financial Times says.
The recession of the 1980s led to the wholesale closure of whisky distilleries, with the result that there are bottles around today whose distilleries are long-gone, the newspaper reported in an article last week.

Whisky writer Peter Temple says that whisky bearing names such as Glen Albyn, Glen Mhor, Milburn or Port Ellen comes from distilleries ‘that you can be sure are no more’.

Port Ellen, for example, owned by the Distillers Company, closed for good in 1983, but produced whisky that ‘is reckoned to be among the best ever made on Islay.
Such bottles fetch in the hundreds of pounds, and as they can only get scarcer, represent far better investment than the ultra-rare bottlings from still-established distilleries that can fetch tens of thousands and more.

Dalmore distillery recently sold a 62-year-old bottle for £125,000, following its bottling of the 64-year-old Dalmore Trinitas, which became the world’s first six-figure whisky last year, with two bottles, out of only three made, selling for £100,000 each.

Cheaper – but still the price of a case of 2005 Chateau Lafite – is the 60-year-old Dalmore Eos, of which 20 bottles were produced at £15,000 each.

And weighing in at £13,000, the 70-year-old Glenlivet from Gordon & MacPhail was released earlier this year.

To make such bottles work as an investment would require serious outlay, but you can start much more modestly, Stephen McGinty, whisky specialist at McTear’s auction house in Glasgow told Decanter.com.

‘Whisky is made in much smaller quantities than wine. If you get a numbered bottle from a single cask, as bottles from that cask get opened and drunk, the remaining bottles go up in value. It is also much easier to store than wine.’

McGinty gave the example of a Brora rare malt, which on release in the 1980s sold for between £20 and £40.

‘We have just sold one for £1200. So if you buy low, and play the long game, you have a very good investment.’

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World's Oldest Whisky

World’s oldest whisky launched – at £10,000 a bottle

The world’s oldest single-malt whisky was launched at Edinburgh Castle on Thursday to the sound of bagpipes and accompanied by Highlander guards.
The Mortlach 70 Year Old – which will retail for £10,000 a bottle – was distilled on 15 October 1938 and then transferred to a first-fill Sherry hogshead before being bottled exactly 70 years later on 15 October 2008.

The whisky, part of Gordon & MacPhail’s Generations range, is presented in a teardrop-shaped crystal decanter with a silver stopper.

It sits on a silver base and is packaged in a Brazilian rosewood box. Only 54 full-size bottles, and an additional 162 20cl bottles are available.

The smaller bottles, packaged in exactly the same way, are priced at £2,500.

Gordon & MacPhail’s joint managing director Michael Urquhart, who described the launch as ‘a historic moment in the history of Scotch whisky’, said: ‘We believe that Mortlach 70 Year Old is a malt without comparison.

‘If the reaction of those lucky enough to enjoy a dram today is anything to go by, whisky fans and people wishing to own a unique piece of Scotland’s liquid history will be very excited about it.’

• Stuart Peskett’s tasting note

The most striking thing I found was its freshness, considering the whisky was put into barrel before World War II. The nose is fruity and smoky with a hint of burnt sugar, and the taste is powerful and peppery, but softened with notes of orange peel and apple crumble. Some older whiskies have an excess of oaky flavours, particularly those matured in first-fill casks, but the Mortlach 70 is rather sprightly, given its age.

New 70-year-old malt unveiled

A 70-year-old whisky costing more £13,000 has been released by distillers Gordon & MacPhail.

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70 year old GlenLivet - £13,000 a bottle

The Glenlivet 1940 70-year-old is one of the oldest whiskies bottled in the world, the company says.

The single malt is part of Gordon & MacPhail’s Generations series, which also includes five single cask bottlings of Glenlivet from 1954, 1963, 1974, 1980 and 1991.
The Glenlivet 70-year-old – 100 decanters of 70cl and 175 decanters of 20cl – are on the market for £13,000 and £3,200 respectively.

The whisky was launched earlier this month in Edinburgh Castle, the decanter carried into the Queen Anne Room by Fiona Urquhart (pictured), the fourth generation of the family which owns and runs Gordon & MacPhail.

David Urquhart, joint managing director, said, ‘This Glenlivet cask was laid down in 1940 by my grandfather, and there are casks of whisky which I am laying down today which I will not see bottled in my lifetime. So we are very much looking after the whisky for future generations.’

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