Spread of homemade jam

jam

Spread of homemade jam

WHAT started out as a love for homemade jams has turned out to be a fruitful business for a husband-and-wife team.

“I visited a friend in Australia and discovered that many people in the villages there would make fruit preserves because they always had an excess of fruits,” said Michelle Koh, founder of Michelle’s Artisan Fruit Spread.

“The process didn’t seem too complicated, so I tried it at home. My husband loves jam, but we find the brands available in the market too sweet, so we started making them for our own consumption,” she said.

With an abundance of local fruits available in the market, she also tried making the jams with fruits like pineapple, papaya, banana and mango.

Koh and her husband Ooi Hong Sin worked on perfecting their jam-making technique and as a result, ended up with a lot of extra jam that they would give away to friends and family.

Homemade: Koh and her husband Ooi showing off their jam.

“There was a good response from them and many people said that we should start selling the jams. My daughter sells fashion accessories at a bazaar and she encouraged us to try selling the jams there. Again, we received a lot of positive feedback from our customers,” said Koh.

Ooi said that it took them some time to get the jams just right before they could put them on the market.

“First, we had to find out how long the jams would last because we don’t use preservatives and the jams are low in sugar content. Then we had to source for the bottles and labels and we slowly learnt the process as we went along. Even finding the right fruits and the right suppliers was not an easy task. Some people seem to think that you can just make jams with old fruit but that’s not true at all. You will be able to taste it in the jam,” said Ooi.

Little efforts like waiting for the fruit to ripen just enough or using only high-quality imported chocolate add to the unique flavours of the products.

Currently, their best-selling flavours include Mango with Passion Fruit, Papaya with Orange Peel, Pineapple with Lemon Peel and Banana with Dark Chocolate.

“I like to create spreads that are not available in the market and try out a combination of fruits. Someone actually asked if we could do a durian flavoured jam, but we weren’t sure if it would preserve well. So we tried adding a tart fruit and found green apples actually go well with durian,” said Koh.

She only makes the Apple and Durian flavoured spread when the fruit is in season, like the Persimmon flavour which she does once a year.

For now, they have no plans to take the Michelle’s Artisan Fruit Spread brand to a commercial scale, preferring instead to continue putting their personal touch to the products.

Unique flavours: The Artisan Fruit Spread features a range of flavours like Papaya with Orange Peel, Mango with Passion Fruit and Banana with Dark Chocolate, made with local and imported fruit.

“Everything is made from scratch. We do everything ourselves, from choosing and buying the fruit to peeling them before we make the jams. Even the bottles have to be sterilised before we pack the jams in. There’s a lot of work involved in making a batch and making sure it turns out well. We only cook in small batches so we can make only about 25 jars a day,” said Ooi.

Ooi and Koh usually set up booths at the following bazaars: Art For Grabs, Annexe Gallery, Central Market; Fuyoh Art Bazaar, Publika (last Sunday of the month); Kaka Handmade Art Market (first Sunday of the month); and Little Red Market, White Box @ Publika.

Selected flavours are also available at Cold Storage outlets in Solaris Mont Kiara and The Gardens Mid Valley; and Jasons Food Hall in Bangsar Shopping Centre.

The fruit spreads are priced at RM8 for a 60g jar, RM13 for 120g and between RM16 to RM20 for the 250g jar.

More information about Ooi and Koh’s products is available at www.facebook.com/michelle.artisanfruitspread.

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Peppers add heat to fruit jellies, jams

peppers

Peppers add heat to fruit jellies, jams

If you think the flavors of, say, a wild Missouri blackberry and a hot jalapeno pepper or, perhaps,  a sweet Georgia peach and an even hotter habanero peppers don’t go together, Melissa Spoon will dispute your contention.

She has the customers and their tastebuds — and their dollars — to prove it.
“I do a sweet and savory jelly combination,” said Spoon, who sells her products at the Saturday morning farmers market held at Al West Nissan.

The sweetness comes from fruits, particularly berries, and the savory stimulation comes primarily from peppers, though she also uses ginger and cloves, too.

“It’s been a lot of fun,” said Spoon. “It’s interesting to see how many people like the peppers.”

She uses jalapenos and habanero peppers, which should be enough savoriness for anyone and everyone, but some people are looking for even more heat.

“Some people say ‘that’s not hot enough,’” Spoon said. “I’ve given out samples and that’s what I hear: ‘that’s not hot enough.’”

Her pepper jelly avocation started when she lost a job.

“I had extra time,” she said. Spoon and her husband, Jeff, live on a small farm outside Rolla and there are wild blackberries on the property. With that extra time, she went out and picked blackberries. “I got several gallons,” she said.

A friend suggested she and Spoon should get together and make blackberry jelly. That friend liked to add jalapeno peppers to the jelly, so Spoon did the same.

The jelly was delicious and plentiful, so Spoon took some to the Big Lots farmers market (now defunct) and received a rousing reception.

“It’s been surprising to find out how many people enjoy pepper jelly and have for years,” she said.

Those people have suggested interesting flavor combinations, which Spoon has eagerly tried.

“I like to do a lot with wild berries, especially local berries, a lot of them hand-picked,” she said.

The jellies are good for more than just spreading on bread, she said.
“A lot you can use to cook with other dishes,” she said. “Wild plum jalapeno peppers are good on chicken. Peach habanero peppers are good on pork or chicken.”

Wild blackberry jalapeno jelly makes a great topping for ice cream, she said.
“And my husband came up with pineapple habanero jelly melted back down and poured over hot wings,” she said. “So it isn’t just for toast and biscuits.”

It is good on toast and biscuits, too, though. Spoon said she took a jar of wild plum jalapeno to her job as a server at Shoney’s one morning to share with her co-workers. There was a group of hunters eating breakfast and they asked to try it. They apparently liked it.

“I discovered after they left that they had taken the jar with them,” Spoon said.

 Spoon said the berry or fruit flavor in her jellies is intense because of the way she makes it.

“I don’t use a ton of water,” she said. “There is a lot of berry flavor.”

Moreover, she believes the use of wild berries also adds flavor intensity.

“Wild plants put so much more of themselves into the berries, and that gives much more flavor,” she said.

Combined with the pepper flavor, the fruit flavor works on the taste buds something like wine does.

“I used to work in fine dining and I’ve done a lot of wine sales, so I’ve been to a lot of tastings,” Spoon said. “Like wine, these jellies have wonderful flavor that starts at the front of the palate and works all the way back,” she said.

So far, Spoon has not started cultivating her own fruits and berries.

“I buy wild plums and some of my blackberries from local sources. I have blackberries and elderberries growing here,” she said. “Elderberry is a natural anti-viral and it makes a wonderful jelly. I get my blueberries from Brandywine Farm.”

She also finds peaches grown nearby.

“I have a hard time finding enough strawberries, though,” she said.

In addition to the pepper jellies, Spoon also makes regular jellies because “not everyone likes a lot of heat,” she said.

This is Concord grape country, and Spoon said, “I didn’t realize how good it could be as a jelly.”

She also makes an apple cinnamon jelly “that tastes like a slice of apple pie.”
“I do fun stuff, too, like Cherry Dr Pepper jelly,” Spoon said.

Making the jelly takes time.

“I spend at least two full days a week making jelly,” Spoon said. “I put a lot of time into this. Right now, I’m sitting down, but between the farm, my job and this, I’m busy.”

She has also invested some money into her jelly-making enterprise.

Through calls to the local health department and subsequently to Jefferson City, she discovered she needed to take a Better Food Processing class. She ended up driving to Stillwater, Okla., to take the class, but now she has the required certification.

She would like to add another line of products.

“I eventually want to do goat cheese,’ she said. The Spoons raise goats, plus quarter horses and cattle on their small farm.

She gets help from her husband on the jelly-making, and selling. They took a big batch to the Baker Creek Heirloom Seeds Spring Planting Festival in April and did well.

“We’ve gone back and forth on what to call ourselves,” she said. “Right now we’ve settled on using the name Spoon Sweet and Savory Delights.”

For those customers who want something hotter than habaneros or jalapeno peppers, there’s hope.

One of her customers recently dropped off a bag of peppers for Spoon at Shoney’s.

“it was a bag of ghost chili peppers,” she said.

There isn’t much hotter than that except maybe the kind in pepper spray used by police.

Perhaps that would be a really savory delight.


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Homemade jam better in pretty jars

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jam

Homemade jam better in pretty jars

An ordinary object, used by generations of cooks throughout the world, can also be appreciated for its decorative qualities.

I have been making jams and jellies ever since I was a child, but I did not develop an interest in jelly jars until I began to collect clear blown-glass objects and discovered many iterations of this everyday storage container. Of course, there are the mass-produced jars by Ball and Kerr, with screw or clamp tops, that are familiar throughout the United States. The screw tops in particular are a convenient way to top the jellies, eliminating the need for the melted and poured paraffin toppers I was taught to use years ago.

In England, I learned about the flared, faceted pressed-glass jam pots and the parchment-paper or cellophane “jam-pot” covers used by British women to cover their preserves. My favourite jam jars are the rounded blown-glass pots from Sweden and France that have flared rims. A string is tied around a wet circle of parchment, and as the parchment dries and shrinks, it creates a tight seal over the contents. Traditionally, preserves are packaged in half- or quarter-pint sizes, which I like — any larger and an opened jar may languish in the refrigerator while other flavors are opened and tried.

Questions should be sent to Martha Stewart Living , 11 W. 42nd St., New York, NY 10036. You may also e-mail questions to [email protected]. Please include your name, address and daytime telephone number.

Raspberry Jam

This recipe is one of my favorites for savoring the midsummer berry.
Makes about 1 cup

  • 12 ounces fresh raspberries (about 21/4 cups)
  • 1 cup plus 2 tablespoons sugar
  • 11/8 teaspoons fresh lemon juice
  • Pinch of coarse salt
  • 1/2 teaspoon finely grated orange zest, divided
    Place a few small plates in the freezer. Stir berries, sugar, lemon juice and half the orange zest in a large, heavy pot. Bring to a boil, stirring to dissolve sugar and mashing lightly with a potato masher. Skim foam from surface. Cook, stirring more frequently as jam thickens, until it has the consistency of very loose jelly, 8 to 9 minutes. Remove from heat.
    Remove a plate from freezer; drop a spoonful of jam on it. Return to freezer for 1 to 2 minutes; nudge edge of jam with a finger. It should hold its shape. If jam is too thin and spreads, return it to a boil, testing every minute, until jam holds its shape on a plate.
    Strain about half the jam through a fine sieve into a bowl; discard seeds. Return strained jam to pot; stir in remaining zest. Return to a boil, then remove from heat. Let cool before using or storing. (Jam will keep in an airtight container in the refrigerator up to 1 month.)

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How to Make Marmalade – with 21 recipes

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marmalade

How to Make Marmalade – with 21 recipes

Marmalade is a preserve that is nearly always made from citrus fruits and is most commonly seen on the breakfast table. At one time, marmalade was made from a variety of fruits, but nowadays other fruits are only used in recipes which combine them with citrus fruits. The method and equipment used for making marmalade is very similar to that used for jam but with a few special points to remember.

The Fruit

Seville or bitter oranges make the best marmalades with a pleasing flavour and appearance. Sweet oranges make marmalade that is rather cloudy and the pith does not turn as translucent as that of Seville oranges. Sweet oranges are usually only used in combination with other citrus fruits.

The best time to make marmalade is in January and February when Seville oranges are available. Fortunately, it is possible to freeze Seville oranges. Freeze the oranges whole, but after a few months the pectin level will fall slightly. To compensate for this, add one-eighth more fruit to the recipe.

Making Marmalade

Preparing the fruit: The peel of citrus fruits is tougher than that of most fruits used for jam-making and must therefore be evenly shredded, either by hand or in the slicer attachment of a food mixer, or in a food processor. You can choose the thickness of peel that you prefer. Do not use a coarse mincer to cut up the peel as it produces a paste-like marmalade. If you are making a very large quantity of marmalade, however, it may be a good idea to mince half the peel by machine and cut the remainder by hand.

There are several methods of preparing and softening the fruit, each resulting in a different type of marmalade, such as coarse-cut, thin-cut and fine shred jelly marmalade. The method you choose for peeling and preparing the fruit depends on the recipe you are using and precise instructions are given. It is sometimes suggested that the peel should be cut up and soaked in water overnight to help soften it. However, soaking is not essential and the long, first cooking stage is usually sufficient. Sometimes it may be more convenient to prepare the fruit one day and make the marmalade the next day, in which case the peel should be left in water overnight to prevent it drying out.

First cooking: Cooking times required for marmalades are usually much longer than for jams – at least 1 hour and very often 2-3 hours. Consequently, larger quantities of water are needed to allow for evaporation. The purpose of the first cooking stage is to extract the pectin, reduce the contents of the pan by about half and to soften the peel. Once the sugar is added, the peel won’t tenderise any further, so it is essential that it is soft and that the pith is almost opaque before any sugar is poured in. Failure to do this is one of the most common reasons for marmalade not setting. You can shorten the cooking time by using a pressure cooker. If you wish to double the recipe quantities, it may be necessary to adjust the cooking time and to use an extra-large pan.

Extracting the pectin: Much of the pectin in oranges is contained in the pips and membranes, and it is important that it is all extracted. Put all the pips, and any membrane that has come away from the peel during squeezing, in a clean piece of muslin. If you haven’t got any muslin, improvise by using an old, large, clean handkerchief Tie the muslin or handkerchief in a bundle with a long piece of string, then tie the string to the handle of the pan so that the bundle hangs down into the marmalade and can easily be removed after cooking. Cook this with the fruit for the first cooking, then take it out, squeezing it as much as possible and letting the pulpy juice run back into the pan. A good way to do this is to press the bag in a nylon sieve with the back of a wooden spoon. Discard the contents of the muslin bag.

Second cooking: The sugar is added at the beginning of the second cooking stage and stirred in until it dissolves. The marmalade is then boiled rapidly for 15-20 minutes or until setting point is reached. Prolonged boiling after the addition of sugar gives marmalade a dark colour. Test for a set in the same way as for jams, then skim the marmalade with a slotted spoon to remove any scum. We advise using granulated sugar for marmalade-making, unless you are planning to show your marmalade, in which case a clearer marmalade can be made using preserving sugar. First, place the sugar in a bowl and warm gently in a low oven before adding to the fruit. This helps it to dissolve more quickly and also prevents the temperature of the fruit from falling drastically, which would increase the cooking/boiling time. Long boiling can impair the flavour.

Potting and covering: Marmalades should be potted and covered in the same way as jam. Leave the marmalade to stand for 10-15 minutes, then stir to distribute the peel before potting.

Pressure Cooking Marmalade

Follow the instructions given for jam, but add only a quarter of the amount of water required in the recipe when the fruit is cooked under pressure. More water is added with the sugar. Cook citrus fruits for 20 minutes at medium (10 lb) pressure. Marmalades can also be cooked at high (15 lb) pressure as citrus fruits are rich in pectin. Check in your cooker manufacturer’s handbook.

Marmalade Recipes

Seville Orange Marmalade

1.4 kg (3 lb) Seville oranges, washed
juice of 2 lemons
2.7 kg (6 lb} sugar

Halve the oranges and squeeze out the juice and pips. Tie the pips, and any extra membrane that has come away during squeezing, in a piece of muslin. Slice the orange peel thinly or thickly, as preferred, and put it in a preserving pan with the fruit juices, muslin bag and 3.4 litres (6 pints) water. Simmer gently for about 2 hours or until the peel is really soft and the liquid reduced by about half. Remove the muslin bag, squeezing it well and allowing the juice to run back into the pan. Add the sugar. Heat gently, stirring until the sugar has dissolved, then bring to the boil and boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, then pot and cover in the usual way.

Seville orange Marmalade (whole fruit method)

As an alternative method, place the whole washed fruit in a saucepan with 3.4 litres (6 pints) water. Cover and simmer gently for about 2 hours or until a fork will pierce the peel easily. Remove the fruit from the pan and leave to cool a little, then cut it up, thinly or thickly, with a knife and fork. Save the pips and tie them in a piece of muslin. Put the muslin bag in the liquid in the saucepan, add the lemon juice and boil for 5 minutes. Weigh a preserving pan, put the fruit in it, add the liquid from the saucepan, discarding the muslin bag, and boil of the excess liquid until the contents weigh 2 kg (4 1/2 lb). Add the sugar, stirring until it has dissolved, then bring to the boil and boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave to stand for about 15 minutes, then stir gently to distribute the peel. Pot and cover in the usual way.

Whisky marmalade

Follow the recipe for Seville orange marmalade. When setting point is reached, remove any scum with a slotted spoon, then stir in 150 ml (1/4 pint) whisky. Leave to stand for about 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Dark Chunky Marmalade (1)

Follow the recipe for Seville orange marmalade. Cut the peel into thick slices. When the sugar is added, stir until it has dissolved, bring to the boil, then simmer gently for a further 1 1/2 hours or until the colour of the marmalade has darkened and setting point is reached. Remove any scum, then pot and cover in the usual way.

Dark Chunky marmalade (2)

Follow the recipe for Seville orange marmalade. Cut the peel into thick slices. Either replace the white sugar with the same quantity of demerara sugar, or stir in 30 ml (2 tbsp) black treacle with the white sugar.

Quick Seville Orange Marmalade

900g (2 lb) Seville oranges
2 kg (4.4 lb) Sugar with Pectin

Scrub the oranges, but do not peel. Cut up the oranges roughly, discarding the pips, then mince into a large bowl. Add 1.6 litres (2 3/4 pints) water and leave to soak overnight. Transfer the contents of the bowl to a preserving pan. Bring to the boil, then simmer for 1 hour. Add the sugar and heat gently, stirring, until it has dissolved, then bring to the boil and boil rapidly for 4 minutes or until setting point is reached. Allow to stand for 5 minutes, stirring occasionally to distribute the peel, then pot and cover in the usual way.

Oxford Marmalade

1.4 kg (3 lb) Seville oranges
2.7 kg (6 lb) sugar

Peel the oranges. Cut the peel into strips and the fruit into small pieces, reserving the pips. Put the pips into a small bowl. Put the strips of peel and chopped flesh into a large bowl. Bring 3.4 litres (6 pints) water to the boil and pour 600 ml (1 pint) over the pips and the remainder over the orange peel and flesh. Cover and leave for several hours or overnight. The next day, the pips will be covered with a soft transparent jelly which must be washed off into the orange peel and flesh. To do this, lift the pips out of the water with a slotted spoon and put them in a nylon sieve. Pour the water the pips were soaking in over the pips into the large bowl. Repeat the process, using water from the large bowl. Discard the pips. Transfer the orange peel, flesh and water to a preserving pan and boil until the peel is very soft — the longer this mixture boils the darker the marmalade will be. When the peel is quite soft, remove the pan from the heat and add the sugar, stirring until it has dissolved. Bring to the boil again and boil very gently until the marmalade is as dark as you like it, then boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Bitter Chunky Marmalade

3 large sweet (or Seville) oranges (about 900 g/2 lb)
2 large lemons (about 450g/1 lb)
900g (2 lb) sugar
900g (2 lb) demerara sugar
15 ml (1 tbsp) black treacle

Wash the fruit well, then squeeze to obtain the juice. Remove excess membranes and reserve with the pips. Strain the juice. Cut the citrus peel into short 3 mm (1/8 inch) thick strips. Put in a preserving pan with the fruit juices and 2.3 litres (4 pints) water. Tie the pips and any spare membranes in a piece of muslin and add to the pan. Bring to the boil, then simmer gently for 2-3 hours or until the peel is very so& and the liquid reduced by half. Remove the muslin bag, squeezing well to extract all the juices. Stir in the sugar and treacle. Heat gently, stirring, until all the sugar has completely dissolved. Bring to the boil and boil rapidly for 10 minutes or until setting point is reached. Remove any scum with a slotted spoon. Leave the marmalade to cool slightly, then stir to distribute the fruit evenly through the jelly. Pot and cover in the usual way.

Ginger Marmalade

450g (1 lb} Seville oranges, washed
1.4 kg (3 lb) cooking apples, peeled, cored and sliced
3 kg (6 1/2 lb) sugar
225 g (8 oz) preserved ginger, diced
20 ml (4 tsp) ground ginger

Peel the oranges and shred the peel finely. Roughly chop the oranges, removing and reserving any tough membrane, pith, pips and juice, Tie the membrane, pith and pips in a piece of muslin. Put the peel, chopped orange, juice, muslin bag and 2.8 litres (5 pints) water in a preserving pan and simmer for about l’/2 hours or until the peel is soft and the contents of the pan reduced by half Remove the muslin bag, squeezing well and allowing the juice to run back into the pan. Put the apples in a saucepan with 150 ml (1/4 pint) water and simmer gently until the fruit is soft and pulped. Combine the apples with the oranges in the preserving pan, add the sugar and stir until it has dissolved. Add the preserved ginger and ground ginger, bring to the boil and boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir to distribute the peel and ginger. Pot and cover in the usual way.

Pressure-Cooked Marmalade

1.4 kg (3 lb) Seville oranges, washed
juice of 2 lemons
2.7 kg (6 lb) sugar

Halve the oranges and squeeze out the juice, reserving the pips and pulp. Tie the pips and pulp in a piece of muslin. Slice the orange peel thinly and place in a pressure cooker with the fruit juices, 900 ml (1 1/2 pints) water and the muslin bag. Bring to medium (10 lb) pressure and cook for 20 minutes until the peel is soft. Leave the pan to cool at room temperature until the pressure is reduced. Remove the muslin bag, squeezing it well and allowing the juice to run back into the cooker. Add 900 ml (1 1/2 pints) water and the sugar and stir until the sugar has dissolved. Bring to the boil and boil rapidly for 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for 15 minutes, then stir gently to distribute the peel. Pot and cover in the usual way.

Three Fruit and Ginger Marmalade

4 Seville oranges, washed
2 sweet oranges, washed
2 lemons, washed
225 g (8 oz) preserved ginger
2.3 kg (5 lb) sugar

Pare the rinds from the fruit as thinly as possible, using a sharp knife or potato peeler, and cut the rind into thin shreds. Squeeze the juice out of the fruit, reserving the pips. Tie the remaining pith and the pips in a piece of muslin. Cut the ginger into small strips. Put the shredded rind, juice, ginger and muslin bag in a preserving pan and add 3.4 litres (6 pints) water. Simmer for 1 1/2-2 hours or until tender. Remove the muslin bag, squeezing well to remove as much juice as possible. Add the sugar and stir until it has dissolved. Bring to the boil and boil rapidly for 10-15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Sweet Orange and Lemon Marmalade

2 sweet oranges, washed and thinly sliced
3 lemons, washed and thinly sliced
900g (2 lb) sugar

Remove all the pips from the fruit and tie them in a piece of muslin. Put the fruit and muslin bag in a preserving pan with 1.4 litres (2*/2 pints) water and simmer gently for about 1 1/2 hours or until the contents of the pan have reduced by about half. Remove the muslin bag, squeezing it well and allowing the juice to run back into the pan. Add the sugar and stir until dissolved. Bring to the boil and boil rapidly for about 10 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for 15 minutes, then stir gently to distribute the peel. Pot and cover in the usual way.

Orange Shred Marmalade

900 g (2 lb) Seville oranges, washed
juice of 2 lemons
1.4 kg (3 lb) sugar

Pare off enough rind from the oranges, avoiding the pith, to weigh 100 g (4 oz). Cut the rind into thin strips. 2 Cut up the remaining fruit and put in a preserving pan with the lemon juice and 1.4 litres (2 1/2 pints) water. Simmer for about 2 hours or until the fruit is really soft. Put the shredded rind in a saucepan with 600 ml (1 pint) water, cover and simmer gently until this also is very soft. Drain off the liquid from the shreds and add them to the fruit in the other pan. Pour the contents of the pan into a jelly bag or cloth attached to the legs of an upturned stool, and leave to strain into a large bowl for 15 minutes. Return the pulp in the jelly bag to the preserving pan with 600 ml (1 pint) water. Simmer for a further 20 minutes, then pour into the jelly bag again and leave to strain for several hours. Combine the two lots of extract and test for pectin. If the liquid does not clot, reduce it slightly by rapid boiling, then test again. Add the sugar and stir until it has dissolved. Add the orange peel shreds from the jelly bag and boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Lemon Shred Marmalade

Follow the recipe above but substitute 900 g (2 lb) lemons for the oranges.

Lemon Marmalade

1.4 kg (3 lb) ripe, juicy lemons, washed
2.7 kg (6 lb) sugar

For this recipe, weigh the empty preserving pan before you start. Halve the lemons and squeeze out the juice and pips. Cut each ‘cap’ of peel in half and, with a sharp knife, remove the membrane and some of the pith from the peel. Tie the membrane, pith and pips in a piece of muslin. Slice the peel to the desired thickness and put it in a preserving pan with the juice, muslin bag and 3.4 litres (6 pints) water. Bring to the boil, then simmer gently for about 2 hours or until the peel is soft and the contents of the pan reduced by half. Remove the muslin bag, squeezing out as much juice as possible. The contents o fthe pan should have reduced to 2 kg (4 1/2 lb). Add the sugar, stir until dissolved, then bring to the boil and boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Lime Marmalade

700g (1 1/2 lb) limes, washed
1.4 kg (3 lb) sugar

For this recipe, weigh the empty preserving pan or saucepan before you start. Put the limes in a preserving pan or large saucepan and add 1.7 litres (3 pints) water. Cover with a tight-fitting lid and simmer for 1 1/2-2 hours or until the fruit is very soft. Remove the fruit from the pan with a slotted spoon and slice very thinly (using a knife and fork), discarding the pips and reserving any juice. Return the sliced fruit and juice to the pan and weigh it. lf necessary, boil the mixture again until reduced to about 1.1 kg (2 1/2 lb). Add the sugar and stir until it has dissolved, then bring to the boil and boil rapidly for about 15 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir gently to distribute the fruit. Pot and cover in the usual way.

Grapefruit Marmalade

2 large grapefruit (about 900g/2 lb), washed
4-5 lemons (about 450g/1 lb), washed
1.4 kg (3 lb) sugar

Pare the rinds from the grapefruit and lemons as thinly as possible, using a sharp knife or potato peeler, and shred finely. Remove the pith from the fruits and roughly cut up the flesh, removing and reserving any pips and saving the juice. Tie the pith and pips in a piece of muslin and put the rind, fruit, juice and 1.7 litres (3 pints) water in a preserving pan with the muslin bag. Simmer gently for about 1 1/2 hours or until the peel is very so& and the contents of the pan reduced by half. Remove the muslin bag, squeezing it well and allowing the juice to run back into the pan. Add the sugar and stir until it has dissolved, then bring to the boil and boil rapidly for 15-20 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Four Fruit Processor Marmalade

1 grapfruit (about 350g/12 oz)
2 large sweet oranges (about 700 g/ 1 1/2 lb)
2 large lemons (about 450g/1 lb)
350 g (12 oz) cooking apples
1.4 kg (3 lb) sugar

Wash all the fruit well. Quarter the citrus fruit and cut each quarter across into three pieces. Slice very thinly by hand with a sharp knife, or using the slicing disc of a food processor. Reserve the pips. Peel, quartet and core the apples. Reserve the peel and thinly slice the flesh. Tie the pips, apple peel and cores in a piece of muslin. Put all the sliced fruit in a preserving pan and add 2 litres (3 1/2 pints) water and the muslin bag. Bring to the boil, then simmer gently for about 2 hours or until the peel is very soft and the contents of the pan reduced by half Stir occasionally. Remove the muslin bag, squeezing it well and allowing the juice to run back into the pan. Add the sugar to the pan, stirring until it has dissolved. Bring to the boil and boil rapidly for 8-10 minutes or until setting point is reached. Remove any scum with a slotted spoon, leave the marmalade to stand for about 15 minutes, then stir to distribute the peel. Pot and cover in the usual way.

Diabetic Marmalade

3 large oranges, washed
3 lemons, washed
900g (2 lb) Sorbitol powder
227-ml (8 fl oz) bottle of commercial pectin

Pare the rinds from the oranges and lemons as thinly as possible, using a sharp knife or a potato peeler, and shred the rind very finely. Halve the oranges and lemons and squeeze out the juice and pips. Tie the pips and pith in a piece of muslin. Put the fruit juices, shredded rind, muslin bag and 1.1 litres (2 pints) water in a preserving pan, bring to the boil, then simmer gently for 1—1 1/2 hours or until the rind is soft and the contents of the pan reduced by half. Remove the muslin bag, squeezing it well and allowing the juice to run back into the pan. Add the Sorbitol powder and stir until it has dissolved, then bring to the boil and boil rapidly for 5 minutes. Remove from the heat and stir in the pectin. Boil for a further minute, then take the pan off the heat and remove any scum with a slotted spoon. Leave the marmalade to cool for 15 minutes, then stir to distribute the peel. Pot and cover in the usual way. Small jars are recommended as the marmalade will not keep for long.

Lemon Rhubarb Marmalade

2 lemons, washed
2 Seville oranges, washed
1.4 leg (3 lb) rhubarb, trimmed and washed
7 g (1/4 oz) tartaric add
1.4 kg (3 lb) sugar

Pare the rinds from the lemons and oranges as thinly as possible, using a sharp knife or potato peeler, and shred the rind very finely. Halve the fruit and squeeze out the juice, discarding the pips. Cut the pith up fairly finely and tie in a piece of muslin. Put the muslin bag, fruit juice and shredded rind in a preserving pan with 600 ml (1 pint) water and leave to soak overnight. Next day, bring the pan contents to the boil and simmer for 1-1 1/2 hours or until the rind is soft and the contents of the pan reduced by half Press the bag of pith occasionally to squeeze out as much pectin as possible. Meanwhile, cut the rhubarb into neat pieces. Add to the pan with a further 300 ml (1/2 pint) water and the tartaric acid. Cook gently, stirring, until the fruit becomes a thick pulp. Remove the muslin bag, squeezing it well and allowing the juice to run back into the pan. Add the sugar to the pan and stir until dissolved. Bring to the boil and boil for about 10 minutes or until setting point is reached. Remove any scum with a slotted spoon, then pot and cover in the usual way.

Introduction to Jam Making and Preserving
Lemon Curd 
Homemade Jam
Homemade Jellies
Homemade Pickles
Homemade chutney

____________________________________________________________________
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Marmalade

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Marmalade

The name marmalade is derived from a medieval Portugese preserve, marmelada, made from the quince or marmelo. In France, a fruit purée used for pie filling is known as marmelade. Quinces, which are available in many country districts in the late autumn, are still used to make marmalade.

Modern marmalade, however, is very similar to jam and, although traditionally made from Seville oranges, all the citrus fruits may be used and can be combined with more unusual ingredients such as rhubarb. Pumpkin and carrots are often used to add bulk, flavoured with a distinctive, strong fruit.

Marmalade can range in colour from thick and dark to a light, translucent appearance. The pith of bitter Seville oranges and grapefruit will clear on cooking but the pith of sweet oranges does not and so this is removed from the fruit and tied in muslin as this contains pectin. The texture of marmalade is a matter of individual taste and preference. It can range from coarse, chunky cut to finely-shredded peel or a peel-free jelly. Coarse cut peel takes longer to soften than finely shredded, but the time can be reduced by soaking the peel first in a little of the water or by cooking in a pressure cooker. Peel may be grated, minced, chopped or processed in a food processor. The peel can also be cooked and then about one-third sliced and the remainder liquidised in a little of the juice, according to taste. When experimenting with texture, it is useful to keep notes on the way the peel has been processed.

The traditional Seville orange has the finest flavour, but these have a very short season. They can, however, be stored in a freezer until required. Genuine Seville oranges have a rough, bright skin without blemishes and are deep orange-red in colour. Other bitter oranges, sometimes sold as Sevilles, have a much smoother skin. As citrus fruits are usually waxed, this coating should be removed prior to use by pouring boiling water over the fruit and scrubbing. Some supermarkets sell unwaxed fruit and this is worth looking for. All fruit should be carefully washed and dried prior to use to remove any residue of spraying, etc.

Fresh, whole frozen, or ready-pulped fruit can be used for marmalade. If using whole frozen citrus fruit an extra one-eighth weight fruit should be added to the recipe to compensate for any loss or weakening of pectin. The fruit should be cooked gently from frozen with the amount of water specified in the recipe in a tightly-lidded saucepan or pressure cooker as thawing can discolour the fruit. Alternatively, the frozen oranges can be placed in a bowl and boiling water poured over them.

They should be left to stand for ten minutes. The oranges should then be cut across into halves and the flesh scooped out with a spoon. It is possible to remove the pips very easily by gently squeezing the frozen flesh. The skin can be chopped, using a sharp knife, and the oranges should be cooked immediately in boiling water to prevent discolouration.

The pectin and acid content of fruits used for marmalade is important in order to obtain a good set. Most of the pectin in citrus fruit is in the pips and pith and these should always be used for marmalade-making. Extra acid in the form of lemon juice is added to Seville oranges (to balance the high pectin content) or other low-acid fruits and recipes should be followed carefully, with a pectin test carried out where necessary. When potting marmalade, it is important to remember that over-hot jars may cause the peel to rise.

The saucepan used for marmalade-making should ideally have a heavy ground base and really thick sides to prevent burning and be of an acid-resistant material such as stainless steel, aluminium or enamel coating as acid will react on copper, iron or brass and impair the flavour of the finished product.

Three Seasons Marmelade

Medium grapefruit 1
Lemons 2
Sweet orange 1

Water 1 1/2 -2 litres (2 ½ -3pt)
Granulated sugar 1 ½ kg (3lb)
Makes approximately 4-5 x 455g (1 ½ lb) jars
Ready t0 eat after 24 hours

Prepare the jars. Scrub all the fruit well and cut in half. Squeeze each piece and save the juice. Remove the pith from the orange and lemon skins. Remove pith from the grapefruit only if it is thick. Place the pith, pips and any blemished pieces of peel into a muslin cloth. Tie up the muslin cloth, securing it with a long piece of string.

Chop the peel into strips of the required size. Put the peel into a preserving pan, together with the muslin bag, and pour in the water and fruit juice. Simmer the contents of the pan without a lid until the peel is tender and the liquid reduced (approximately 2 hours). Once the peel is tender, test a little of the liquid for pectin. Remove the bag, squeezing it well into the pan. Then discard the bag and contents.

Pour the granulated sugar into the pan and stir well, using a wooden spoon. Continue stirring over low heat until the sugar is dissolved. Brush down the sides of the pan. Rapidly boil the contents of the pan until setting point is reached.

To test if the marmalade has reached setting point, spoon a small amount onto a chilled saucer or do a flake test. Skim the top and then pour the boiling marmalade into jars and fill to 3mm (1/8″) of brim. Immediately twist a ‘lock-on’ lid onto the jar. Wipe the outside and leave to cool. Label, date and store.

Introduction to Jam Making and Preserving
How to make Marmalade – with more than 20 recipes
Lemon Curd
Homemade Jam
Homemade Jellies
Homemade Pickles
Homemade chutney

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An Introduction to Jam Making and Preserving

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An Introduction to Jam Making and Preserving

A fresh-tasting, tangy marmalade or fruit packed conserve, thickly spread on hot, buttered toast, is a delicious way to start the day. No ploughman’s lunch, cold meat platter or pork pie is complete without a good helping of chutney or a spoonful of pickle. In spite of the vast assortment of commercially-prepared preserves now available, none can compare with those made at home.

This article is presented in such a way as to be a mini course in the subject of preserving. Once you have understood the basics of making jam and other preserves you can use the links to go the recipes and make your own favourites.

The making of preserves was once an important and regular feature of life; every household had a cupboard stacked with jars full of preserved foods. Nowadays, the increasing availability of fresh foods all year round, and of commercially-prepared preserves, means that the art of home preserving is sadly neglected.

In this article we hope to reintroduce you to those age-old skills which were once so lovingly practised. Here you will find all the classics: jams, jellies, pickles and chutneys, along with lots of new ideas for herb oils and vinegars, drinks, liqueurs, sauces and relishes, plus information on home bottling, salting, storing and drying.

Why Preserve?

The object of preserving is to take fresh foods in prime condition and to store or prepare them in such a way that they remain in this condition for long periods of time. In the days before refrigeration and easily obtainable canned, dried and frozen foods, it was vital to be able to preserve fresh foods to feed the family when food was scarce. In country areas, each family kept a pig to fatten up during the summer and slaughter at the beginning of winter. Some meat was eaten fresh but the bulk of it had to be preserved in various ways so that it would last throughout the winter. Fresh fruits and vegetables were made into preserves both to prevent wastage and to enable people to enjoy their flavour when they were not available.

Although the necessity for preserving does not exist in quite the same way today, one of the most important benefits is still that of saving money. jams, jellies and marmalades are best made when fruits are plentiful, cheap and in perfect condition. Despite their high cost, the quality of commercially-produced preserves is rarely as good as that of home-made preserves. For example, fruits and vegetables can lose more of their nutritive value during commercial processing. Making preserves at home enables you to experiment with unusual combinations of flavours and to enjoy the satisfaction of serving foods that are the produce of your own kitchen. An added bonus is that some preserves, such as candied or crystallised fruits, make very acceptable gifts when decoratively packed.

How Preserving Works

Foods contain enzymes which are responsible for their growth, development and eventual breaking down and rotting. The action of these enzymes is what causes the cut surface of a piece of fruit to turn brown, for example, and allows for the growth of micro-organisms in the form of bacteria, yeasts and moulds. Bacteria in foods can lead to food poisoning, yeasts cause foods to ferment, and moulds spoil the appearance and flavour of foods. Moulds themselves are not harmful, but are often an indication of the presence of bacteria.

Traditional forms of preserving aim to keep out and prevent the growth of micro-organisms and so maintain the food in prime condition. The first methods of preservation were probably the result of experimentation and a fair amount of luck, but nowadays we know how and why these methods worked. They made use of natural facilities — sun, wind, smoke and salt.

Drying: lt was discovered that when foods were spread out in the sun or hung in the wind to dry, they did not perish. This is because micro-organisms can only survive where there is moisture and the drying effects of sunshine and wind prevent the growth of micro-organisms. Nowadays, fruits, vegetables and herbs can easily be dried at home in a very cool oven, airing cupboard or some other warm place. Of course, it is always important to store dried foods carefully to prevent the re-absorption of moisture.

Smoking: When houses had huge fireplaces and chimneys, meat and fish could be hung in the chimneys until well dried out and ‘smoked’. Again, it was the drying process that prevented the growth of bacteria. The flavour of the smoked foods would depend on the type of wood burned in the fire. Nowadays, such facilities for smoking are hard to find and smoking is rarely done in the home. It can also be dangerous if not carried out properly and if the growth of bacteria is not completely eliminated. Commercially-smoked foods are of good quality, if rather expensive, and some, such as smoked salmon, may even be preferred to the fresh variety.Because of the facilities needed, the risk of food poisoning and the availability of commercially-produced smoked foods, we do not recommend smoking as a method of home preserving today.

Salting: In early days, sea salt was obtained by evaporation and rubbed into fish, meat and vegetables. The salt drew moisture out of the food and prevented the growth of micro-organisms. The salting of meat, however, is another method of preservation that can be dangerous if not carried out correctly. As fresh meat is now available all year round and can be preserved in other safer and more efficient ways, such as by freezing, we have not included instructions for salting or curing meat in this article. Small fish, such as anchovies or sprats, and vegetables, such as beans, can, however, be salted in the home without too much trouble. These original methods of preservation were used long before it was discovered that sugar, vinegar, alcohol and temperature could also play a part.

Sugar: A high concentration of sugar prevents the growth of micro-organisms and it is the sugar, combined with cooking to a high temperature, which preserves the fruits in jams, jellies, marmalades, conserves, butters and cheeses. Sugar also acts as the preservative when bottling fruits in a sugar syrup. Again, however, it is necessary to heat the filled bottles to a high temperature in order to sterilise the contents and hermetically seal the bottles to prevent further attack from micro-organisms.

Vinegar and alcohol: Vinegar and alcohol also prevent the growth of micro-organisms. Vinegar is used for pickling fruits and vegetables, and in chutneys, sauces and relishes; alcohol is used to preserve fruits.

Sterilisation: Extremely high temperatures stop enzyme activity and prevent growth of micro-organisms. Sauces, ketchups and bottled fruits and vegetables all need to be sterilised by heat. This has to be done after the bottles have been filled and covered so that the sterilising process can form a seal to keep out micro-organisms in the air. Milk is commercially sterilised by heat treatment during the pasteurisation process and some milk is heated to a higher temperature (‘long-life’ or UHT —ultra-high temperature) and can be kept for long periods of time without being refrigerated.

Refrigeration and freezing : The discovery that low temperatures slow down or stop enzyme activity in foods has made a major difference to life in the home. Nowadays, almost every household has a refrigerator and many also own a freezer. Foods are kept at a sufficiently low temperature to stop the action of enzymes. Although freezing is a method of home preserving, it is not one of the traditional home skills, so we have not included instructions for freezing in this article.

Jam is basically a cooked mixture of fruit and sugar. The high concentration of sugar used in jam-making prevents the growth of micro-organisms and allows the jam to be kept for many months.

Conserves are whole, sometimes chopped, fruits suspended in a thick syrup. In most cases, to make a conserve, the fruit is layered with an equal quantity of sugar and left for 24 hours to extract the juices, before boiling for a short time, preserving the fruit with the minimum of cooking. Fruits which make good conserves are strawberries, raspberries and loganberries. The fruits retain a flavour which is very much closer to the original taste of the fruit. Conserves make the most acceptable gifts or excellent desserts when served with cream, fromage frais or Greek yogurt.

Equipment

Some special utensils and tools, though by no means essential, make making jams and conserves easier. Preserving pans jams and conserves can be made in any heavy-based saucepan large enough to ensure that the contents come only halfway up the side once the sugar has been added. Proper preserving pans do make life easier, however, as their sloping sides help the jam to maintain a ‘fast rolling boil’ without boiling over. This is essential for a good set. Choose a preserving pan made from stainless steel, tin-lined copper or lined aluminium. It should have a fairly thick base to prevent the jam burning, and should be wide enough to allow the jam to boil rapidly without splashing all over the hob. The best size for you will depend on how much jam you want to make at one time.

Old-style preserving pans made from unlined copper or brass can be used for jams, providing they are perfectly clean, but it is unwise to use very old pans that are damaged or impossible to clean thoroughly. Any discoloration or tarnish should be removed with a patent cleaner and the pan should be thoroughly washed before use. Jams made in copper or brass pans will contain less vitamin C than those made in aluminium or stainless steel pans. No preserve should be left standing in any unlined metal preserving pan.

If you haven’t got a preserving pan, use a large heavy-based saucepan, remembering that, since most saucepans are not as wide as a preserving pan, you may need to allow a longer simmering and boiling period for the fruit.

Jam jars: You will need a good supply of jars, which should be free from cracks, chips or other flaws. jars holding 450 g or 1 kg (1 or 2 lb) are the most useful sizes as you can buy covers for these sizes. Wash them well in warm soapy water and rinse thoroughly in clean, warm water. Dry off the jars in a cool oven, at 140°C (275°F) mark 1, and use while hot so that they do not crack when filled with boiling jam. You will need waxed discs, cellophane covers, rubber bands and labels for covering and labelling the jars. Packets containing all these are available from most stationery shops, cookshops and some chemists.

Other equipment

1. A large, long-handled wooden spoon for stirring the preserve.
2. A slotted spoon is useful for skimming off any scum or fruit stones from the surface of the
preserve.
3. A sugar thermometer, though not essential, is very helpful when testing for a set.
4. A funnel with a wide tube for filling jars is useful. Failing this, use a heatproof jug or large cup.
5. A cherry stoner saves time and prevents hands becoming stained with cherry juice.
6. Any sieve used in jam-making should be made of nylon, not metal, which may discolour the fruit.

Choosing the fruit

Fruit should be sound and just ripe. It is better to use slightly under- rather than over-ripe fruit as the pectin is most readily available at this stage.

Pectin and acid content of fruit: The preserve will only set if there are sufficient quantities of pectin, acid and sugar present. Some fruits are rich in pectin and acid and give a good set, while others do not contain so much (see chart below).

Pectin Content of Fruits and Vegetables used in Preserving

Good Medium Poor
Cooking apples Dessert apples Bananas
Crab-apples Apricots Carrots
Cranberries Bilberries Cherries
Currants Blackberries Elderberries
Cranberries Figs
Damsons Greengages Grapes
Gooseberries Loganberries japonicas
Lemons Mulberries Marrows
Limes Plums Medlars
Seville oranges Raspberries Melons
Plums Nectarines Peaches
Quinces Pineapple Rhubarb
Strawberries

Testing for pectin content: If you are not sure of the setting qualities of the fruit you are using, the following test can be carried out: When the fruit has been cooked until soft and before you add the sugar, take 5 ml (1 tsp) juice, as free as possible from seeds and skin, put it in a glass and, when cool, add 15 ml (1 tbsp) methylated spirits. Shake the glass and then leave for 1 minute. If the mixture forms a jelly-like clot, the fruit has a good pectin content. If it does not form a single, firm clot, the pectin content is low and some form of extra pectin will be needed.

Fruits that lack acid and pectin require the addition of a fruit or fruit juice that is rich in these substances. Lemon juice is most often used for this purpose, since it aids the set and often brings out the flavour of the fruit. Allow 30 ml (2 tbsp) lemon juice to 1.8 kg (4lb) of a fruit with poor setting properties. Alternatively, use Sugar with Pectin or some home-made pectin extract (see below) or add another pectin-rich fruit, making a mixed fruit jam. Yet another method is to use a commercially-bottled pectin according to the manufacturer’s instructions.

Sometimes an acid only is added, such as citric or tartaric acid. These contain no pectin but help to extract the natural pectin from the tissues of the fruit and improve the favour of fruits lacking in acid. Allow 2.5 ml (1/2 tsp) to 1.8 kg (4 lb) of fruit with poor setting properties.

Home-made pectin extract: Apple pectin extract can be made from any sour cooking apples or crab-apples as well as from apple peelings and cores and windfalls. Wash 900 g (2 lb) fruit and chop it roughly, without peeling or coring. Cover with 600-900 ml (1—1 ½ pints) water and stew gently for about 45 minutes, until well pulped. Strain through a jelly bag or muslin cloth. Carry out the pectin test to ensure that the extract has a high pectin content. Allow 150-300 ml (1/4-1/2 pint) of this extract to 1.8 kg (4 lb) fruit that is low in pectin. Pectin extract can be made from redcurrants or gooseberries in the same way.

Sugar

The presence of sugar in jam is very important as it acts as a preservative and affects the setting quality. The exact amount of sugar to be used depends on the pectin strength of the fruit, so always use the amount specified in a recipe. Too little sugar will result in a poor set and the jam may go mouldy on storing. Too much sugar will produce a dark and sticky jam, the flavour will be lost and it may crystallise. Granulated sugar is suitable and the most economical for jam-making, but when lump sugar or preserving crystals are used, less scum is formed and the preserve needs less stirring to prevent burning, since these sugars do not settle in a dense layer on the bottom of the pan. The finished preserve will also be slightly clearer and brighter. Caster sugar or brown sugar can also be used, but brown sugar produces much darker jam with a changed flavour.

Sugar with Pectin is a blend of granulated sugar, natural apple pectin and tartaric acid and is very useful when making jams and conserves with fruits low in pectin. When using Sugar with Pectin, the best results are achieved if you follow these tips:

1. If using less than one packet of sugar, empty the whole packet into a bowl and stir it to distribute
the pectin, before adding the amount required to the fruit.
2. Do not use more than two packets of sugar at any one time.
3. Heat the preserve to a full rolling boil. The quoted boiling times apply after the boiling point
has been reached. A full rolling boil cannot be stirred down.
4. The usual boiling time for jam is 4 minutes.

Jams can also be made with fructose, a refined sugar produced from fruit and vegetables; as it is metabolised differently from ordinary sugar, diabetics may use it as a substitute, within reason. There is no completely satisfactory substitute for sugar in jam-making. If honey or treacle is used, its flavour is usually distinctly noticeable and the jam will not set easily. Glucose and glycerine do not have the same sweetening power as cane sugar. If one of these alternatives must be used, not more than half the amount of sugar specified in a recipe should be replaced.

You can make your own reduced-sugar jams similar to those you can buy. Do not reduce the sugar content by more than 20 per cent or the jam will be runny. As it does not keep well, make it in small batches and store in the refrigerator (for up to 6 weeks) or a cool place (for 3-4 weeks).

Preparing and Cooking the Fruit

Pick over the fruit, prepare it according to variety, and wash it quickly. Put the fruit into a preserving pan or large, strong saucepan, add water as directed in the recipe and then simmer gently until it is quite tender. The time will vary according to the fruit — tough-skinned fruit, such as gooseberries, blackcurrants or plums, will take 30-45 minutes.

This simmering process releases the pectin and acid. If extra acid or pectin is needed, it should be added at this stage. Adequate reduction of the fruit before adding the sugar is necessary for a good set. The sugar should only be added when the fruit has been sufficiently softened and reduced as sugar has a hardening effect on the fruit and, once added, the fruit will not soften. Remove the pan from the heat and add the sugar, stirring well until dissolved. (The sugar will dissolve more easily if warmed in the oven before it is added.) Add a knob of butter to reduce foaming, then return the pan to the heat and boil rapidly, stirring constantly, until the jam sets when tested.

Testing For a Set

There are several ways of testing a preserve for setting point, some of which are less accurate than others or require special equipment. The methods given here are the easiest to carry out and most accurate.

Temperature test: This is the most accurate method of testing for a set. Stir the jam and put in a sugar thermometer. Continue cooking and, when the temperature reaches 105°C (221°F), a set should be obtained. Some fruits may need a degree lower or higher than this, so it is a good idea to combine this test with one of the following.

Saucer test: Put a very little of the jam on a cold saucer or plate, allow it to cool, then push a finger gently through the jam. If the surface of the jam wrinkles, setting point has been reached. (The pan should be removed from the heat during the test or the jam may be over-boiled.

Flake test: Lift some jam out of the pan on a wooden spoon, let it cool a little and then allow it to drop back into the pan. If it has been boiled long enough, drops of jam will run together along the edge of the spoon and form flakes which will break off sharply.

Potting, Covering and Storing

The jars used for jam must be clean and free from flaws and they must be warmed before the jam is put in them (see page 9). As soon as a set has been reached, remove the pan from the heat, remove any scum with a slotted spoon and pot the jam, filling right to the tops. Exceptions are strawberry and other whole-fruit jams — these should be allowed to cool for about 15 minutes before being potted, to prevent the fruit rising in the jars. Wipe the outside and rims of the pots and cover the jam, while still very hot, with a waxed disc, waxed-side down, making sure it lies flat. Either cover immediately with a dampened cellophane round, securing with a rubber band or string, or leave the jam until quite cold before doing this. For long-term storage, cover the jam with a screw-top as well, but do not cover the pots when the jam is warm, as moisture from the warm jam will collect inside the lid and, without enough heat from the jam to kill the moulds, the preserve may go mouldy. Label the jar and store in a cool, dry, dark place.

Most preserves keep well for over a year if properly covered and stored, but their flavour deteriorates if they are kept for too long. The best idea, therefore, is to eat them within the year, thus making room in the store-cupboard for next year’s batch of preserves.

Mould: This is most often caused by failure to cover the jam with a waxed disc while it is still very hot — this should be done immediately the jam is potted, or it may become infected with mould spores from the air. Alternatively, the pots may have been damp or cold when used, or insufficiently filled, or they may have been stored in a damp or warm place. Other possible causes are insufficient evaporation of water while the fruit is being ‘broken down’ by the preliminary cooking, and/or too short boiling after the sugar has been added. Jam with mould growing on its surface should not be eaten, even if the affected jam is removed, as the mould can produce toxins within the remaining jam. Throw away the whole jar if you find any mould on the top surface.

Bubbles in the jam: Bubbles indicate fermentation, which is usually the result of too small a proportion of sugar in relation to fruit; accurate weighing of fruit and sugar is very important. This trouble can also occur, however, when jam is not reduced sufficiently, because this too affects the proportion of sugar in the preserve. Fermentation is harmless enough, but it is apt to spoil both flavour and colour. Fermented jam can be boiled up again but the boiling should only be continued for a short time if the preserve was not reduced enough in the first instance. It can then be re-potted and sealed in clean, preheated jars and used for cooking purposes.

Peel or fruit rising in the jam: Strawberry jam is particularly susceptible to this trouble. It helps if the jam is allowed to cool for 15-20 minutes and then given a stir before potting (despite the fact that it is normally advisable to pot all preserves as hot as possible).

Crystallised jam: This is usually caused by lack of sufficient acid. You should either use a fruit rich in acid, or make sure that acid is added to the fruit during the preliminary softening process. Under- or over-boiling the jam after the sugar has been added can also cause crystallising, as it will upset the proportion of sugar in the finished jam.

Setting problems: One cause is the use of over-ripe fruit in which the pectin has deteriorated. Another reason is under-boiling of the fruit, so that the pectin is not fully extracted; there may also be insufficient evaporation of the water before the sugar is added (this can be remedied by further boiling); or over-cooking after adding the sugar, for which there is no remedy.

To ensure a set with fruits deficient in pectin, such as strawberries, it is helpful to add an acid such as lemon juice or citric acid; alternatively, mix with a pectin-rich fruit such as redcurrants, or a pectin extract (commercially made or prepared at home from apples), or use Sugar with Pectin.

Shrinkage of jam on storage: This is caused by inadequate covering, or failure to store the jam in a cool, dark, dry place.

Pressure Cooking Jams

Provided your cooker is one with a three-pressure gauge, it is a good idea to use it for preserving, as it saves quite a bit of time and the fruit retains its flavour and colour.

There are a few points to remember:

1. Always remove the trivet from the pressure pan.
2. Never fill the pan more than half-full.
3. Cook the fruit at medium (10 lb) pressure. If you have a cooker which is set to cook only at high (15 lb) pressure, you can send for alternative weights (available from the manufacturer) which will enable you to alter your cooker to cook at medium (10 lb) pressure. Cooking preserves at high (15 lb) pressure is not recommended because the pectin will be destroyed.
4. Reduce pressure at room temperature.
5. Only the preliminary cooking and softening of the fruit must be done under pressure — never cook a preserve under pressure after adding the sugar (and lemon juice, if used), but boil it up in an open pan.
6. You can adapt any ordinary jam recipe for cooking in a pressure cooker by using half the stated amount of water and doing the preliminary cooking of the fruit under pressure. These are the times required for different fruits (all at medium/10 lb pressure):

Apples 5 minutes
Blackberries and apples combined 7 minutes
Blackcurrants 3-4 minutes
Damsons, plums and other stone fruit 5 minutes
Gooseberries 3 minutes
Marrow 1-2 minutes
Pears (cooking) 7 minutes
Quinces 5 minutes

7. Soft fruits, such as raspberries and strawberries, need very little preliminary softening and are therefore not usually cooked in a pressure cooker.

8. When two fruits (eg. blackberries and apples) are combined, the cooking times may vary somewhat.

Now you are ready to make your first batch of Jam Check out our recipes here -
Lemon Curd
Make your own Marmalade
Homemade Jam
Homemade Jellies
Homemade Pickles
Homemade chutney

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